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Bulwell
Bowie 1985
[ Original story
by Chris Richards. Adapted for Dreamtargets by Paul
Fillingham. ]
As I pushed open the front
door in Maples Street, Hyson Green, Mark 'Rash' Lancashire
came running downstairs. "'Only had three hours kip
last night" he croaked. His eyes were like pears in
red wine and he was wearing a shirt and a tie with
little 1950's cars on it. His 'Serious Moonlight'
blonde hair had been dyed in the scullery at Ockerby
Street Bulwell. "Ah put 'Heroes' on the stereo un
me dad did it" he explained. Mark had however, recently
moved out from his Dad's place and into the top room
at Maples Street. There he lodged with Nottingham
DJ's Jon Dobson and Ian Williams, and two lesbians
whose sexual preference excluded them from any advances
by the amorous Bowie look-alike.
His top floor penthouse was painted
Habitat grey as were the rough-hewn pallets that supported
his mattress, pilfered by his Dad from a building
site. Several dozen immaculate suits hung on chrome
stands and the walls were adorned with David Bowie
and Glenn Gregory posters. The most recent addition
was a promotional spread for Jagger and Bowie's 'Dancing
in the Street'. Rash put the record on and we rehearsed
the 'back-to-back' dance movements complete with mimed
vocal, ready for the night ahead. Before we went out,
Rash showed me a lipstick imprint in the mirror, where
a girl had scrawled ' I love you Mr Bowie'.
Rash's dress sense was dictated
entirely by David Bowie's periodic reinvention of
himself. Commenting on a recent picture in 'Smash
Hits' magazine, Rash became strangely animated, desperate
to share his enthusiasm. "He was wearing a white shet
and pinstriped traasers just touchin' his shoes, he
looked bleddy mint".
So, on this fine summers evening
with jacket sleeves rolled up 'Go West' style, we
headed up Maples Street to catch the bus into the
city centre. The first stop was Orchards bar on Market
Street. True to form, Rash had already stuffed his
inside pocket with a wad of photographs of himself.
This 'publicity-photo' was originally shot on Blackpool
pleasure beach, dressed in a blue suit with a loose
bow tie, an identity based on Bowie's 'Serious Moonlight'
image. He had hundreds of reprints made and they were
handed out to any girl who caught his eye or took
his fancy. If any returned to question his identity,
he would sign their cherished photograph either 'David'
or 'Glenn' depending on his mood or their particular
preference.
At the Bodega on Pelham Street,
he copped off with a girl called Sandra, who had the
tightest bottomed skirt I have ever seen. She could
hardly walk in it and shuffled about awkwardly like
a penguin. "What's she in, the school sack race?"
I jested. But Mark looked back at me with a blank,
disapproving expression and said "I'm onto a good
thing here, she lives in Vic Centre flats and her
Mam's on ollerdeh. Gorreneh johnnehs?"
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