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Clarendon Darkroom
[Dream target date - 28 Jan 1980]

High-jinks got off to an early start at college this morning, when Kath Brown and Cathy Hill decided to attack me with hand-held water sprays. I managed to escape them by barracading myself in one of the darkrooms.

Resigned to the ruby glow of this pungent cell, I took time to search through abandoned archives of student photographs. There were perhaps ten boxes of photographs, it was difficult to tell as they were located high up on the top shelf and I could only reach the first few.

 

Photography lecture

We always knew our head of department had an unhealthy obsession with photography, but until I glimpsed the contents of one of the boxes, I wasn't sure how unhealthy. Tony Evans' secret prints revealed a side to seemingly innocent faces that I never knew existed. No wonder he was so keen to arrange photography classes for female students from the Drama and Hairdressing departments.

Time passed. I fumbled for the button on my wrist, forgetting that the LED had lost its glow sometime during the night. It was no good, I would have to spend eternity in this dark prison, acquainting myself with erotic photographs of female students of the past.

"Are you alright in there Paul? You're very quiet!" It was Cathy, she sounded concerned. "Yes, I'm fine" I Replied, "I've just been going through some of Evo's old photos, there are loads of boxes in here". I dismantled the barracade and emerged into the blinding light of the studio. KB sat at the opposite end of the studio, making lurid remarks about dirty photographs, unaware of how close to the mark she was.

For now, the secret photographs would have to wait for another time. Cathy made her peace and accompanied me to town where I bought a replacement battery for my wristwatch. Although petite and mouselike, Cathy Hill was a fierce campaigner and as we walked along Mansfield Road she told me about a forthcoming demo against cuts in education spending. She warned me that bus fares would increase too, as transport subsidies were also in line for the chop. I was already feeling the pinch from the last round of increases and travelling back and forth from Blidworth to Nottingham, I could see my student savings account dwindling away to nothing.

On returning to college it became apparent that there'd been a big row in the first year studio involving my girlfriend Jane Shipman. Jane wouldn't give details but said that 'things were a little easier now'. She spent most of the afternoonin my studio reading through the notes and sketches I'd accumulated since starting my art training, two years ago.

I liked to open up old portfolios when it was time to find a new creative direction. Today I decided to try my hand at a technique developed by British artist, Tom Phillips. This technique involved outlining words across a page to form new sentences and worked well with overly-rich text. The 'ArtScribe' magazine sitting on my desk was an ideal candidate. So I began to obliterate large areas of text with a heavy gauge rotring pen.

Humument technique

It was a really theraputic exercise and I was able to dream away as the page grew blacker and blacker. Having completed a few pages, I commandeered Tony's typewriter and began hammering out the line; 'Over my heart is the Spirit of the Easterner...' It was a reference to Jane who grew up on the East coast, though how she would react to the thinly disguised sexual metaphors remained to be seen.

Thus began my first stab at creative writing and soon these first few lines began to develop as a book, entitled, 'A Chance of a Lifetime' ; a mix of chance encounters, wordplay, numbers, travel and adolescent sex.

Tony never did get his typewriter back, but he always seemed preoccupied with other things anyway!

 

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Copyright - Paul Fillingham
Last update - 4 January, 2002