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8 Dazzling Jellies
Smart Cookies 1982

Bowie
The Men who fell
to henna 1982

Flyo Axeman
Sholebroke Mount
Axeman 1983

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Smart Cookies - Fall 83

Smart Cookies - Loud and Lonely
[Dream target date 1983]

Although our college courses ended in July, the Smart Cookies remained in Leeds to concentrate on rehearsals and write fresh material for a professional demo tape. Bob and Riff were working far closer than before and as a result our sound was becoming more guitar orientated with keyboards taking a back seat. The new romantic movement was dead and we were increasingly drawn to artists like The Smiths and Aztec Camera.

Smart Cookies rehearsals

         

Bob was clearly unhappy with Russ and Rose's contribution to the band and wanted them out. Russ too had noticed their diminished songwriting role, but nevertheless thought the Cookies had developed a' cohesive sound'. The split was precipitated by a desire to bring everyone under the same roof in our victorian terrace in Chapeltown, something that neither Russ nor Rose could do. Losing Russ and Rose was a bitter pill to swallow, particularly as we were only a few weeks away from a headline gig at the Palais in Nottingham.

Early Palais Poster Palais Poster artwork Aztec Camera Bob in Patches
Early Palais poster Revised Palais poster Aztec in Smash Hits Bob in Patches

Rough Trade record exec, Rob Worby, was shocked when we told him Russ was no longer in the band. He always said that our Leeds Polytechnic gig was a milestone performance and liked Russ because he thought he was such an unlikely pop performer.

We were plugging Worby for direction on how to break into the music business and he said that he could probably get us a US tour with the Mekons. We went over to his impressive studio loft one evening to discuss our plans. Our teenage promoter Chris Cooper came along too and whilst we were there had one of his really bad nosebleeds. I remember him pacing around with a cup under his nose.

It was Rob Worby who told us about us about a new multitrack studio that was being set up in the basement of a Leeds music shop. There we met Ian Booth, a recording engineer who had previously worked with Bill Nelson. Ian was a really patient guy, he warmed to us and agreed to help mix the drumtracks for our forthcoming Palais gig and subsequent demo tape.

The music store started getting all these MIDI-equipped instruments shipped in from Japan and Ian had them all down in the studio. Suddenly we had access to Yamaha DX keyboards and digital drum machines that were far in advance of anything we had ever seen. I read the manuals cover to cover and soon we were using MIDI technology to plug the hole left by Russ and Rose.

Mavericks, Nottingham Palais & Market Square.

 

       

 

The Palais gig was a great success, largely as a result of the flyposting efforts of Chris Cooper and frequent airplay by one of Nottingham's most popular DJ's Jon Dobson. Suddenly the Cookies were riding a wave of teenage hysteria and we were unstoppable. We resolved to stay on in Leeds for a while longer to record a three-song demo with Ian, with a view to getting it on the desks of various London-based record executives.

When Autumn came, we were feeling pretty isolated in Leeds. Riff had surprised us with a 'secret' marriage and that drove a wedge between the songwriting team, especially when his new spouse came to live with us at Sholebroke Mount. The atmosphere was tense and we were also broke. There was a great deal of conflict, but we just had to keep going.

Other residents

In the months that followed, both Dee (Riff's wife) and Chris Cooper, who moved into Sholebroke shortly after the Palais gig were sent packing so that we could concentrate on the final push. As the weather grew colder, things got really tough and Sholebroke Mount became more like a prison than rehearsal studio. We were losing weight, losing our hair, losing our tempers and having to burn the furniture to keep warm.

Sholebroke Mount squalor
 

Sometimes whilst working really late, we'd get delerious and start laughing at our predicament. It was a very bohemian, almost romantic existence, but at the same time quite tragic. When I wrote the lyrics to 'Loud and Lonely' the last track on the three-song demo, it was really about the sorry state we found ourselves in.

It was November when I finally closed the door to the empty shell of Sholebroke Mount, returning home to my girlfriend Tracey (later to become my wife) who lived in Nottingham. I weighed little more than seven stone when I got back, my dream targets in tatters. Riff and Bob were also in bad shape. Riff resigned himself to married life, he had a baby on the way and had to get work. Bob remained in London to pursue his musical conviction and enjoyed limited success with a number of up and coming bands.

'Loud and Lonely is Beatleish and beautiful' one reviewer wrote, urging the record companies to snap us up. But in striving for commercial viability, the essential spark at the heart of the Smart Cookies was extinguished, and like Russ and Rose before us, it took many months to come to terms with the loss that was felt.


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Copyright - Paul Fillingham
Last update - 11 September, 2001